L’estetica del vuoto

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DC Field	Value
dc.identifier	ECF_book_583
dc.creator	Rivadossi Silvia
dc.creator	Franchini Cecilia
dc.creator	Ruperti Bonaventura
dc.title	L’estetica del vuoto. Vuoti, pieni, suoni, silenzi, presenze, assenze
dc.type	Edited book
dc.language.iso	it, en
dc.description.abstract	This volume follows the International Festival Japan Contemporary Arts in Venice The Aesthetics of Emptiness, organised between 21 and 24 February 2022 by Benedetto Marcello Music Conservatory in Venice, the Department of Asian and North African Studies of Ca’ Foscari University of Venice, and Venice Academy of Fine Arts (institutions united in the Study in Venice project), with the generous support of the Japan Foundation. During the Festival, musical performances, concerts, workshops, meetings with Japanese artists, and conferences led participants to immerse themselves in Japanese arts and culture. The structure of the volume is designed to allow the reader to relive these experiences, also through multimedia content, and to explore some of the themes that emerged. The first section is dedicated to the events curated by Benedetto Marcello Music Conservatory and Venice Academy of Fine Arts, while the second brings together some of the contributions presented during the conference organised by the Department of Asian and North African Studies. The various essays revolve around the themes of sound, silence, emptiness, fullness, presence, and absence, and are dedicated to the memory of Bonaventura Ruperti.
dc.relation.ispartof	Ca’ Foscari Japanese Studies
dc.relation.ispartof	Arts and Literature
dc.identifier.doi	10.30687/978-88-6969-701-2
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-04-21
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-702-9/
dc.identifier.issn	2610-8976
dc.identifier.eissn	2610-9395
dc.identifier.isbn	978-88-6969-702-9
dc.identifier.eisbn	978-88-6969-701-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Adachi Masao
dc.subject	Aesthetic of Emptiness
dc.subject	Aesthetics
dc.subject	Aesthetics
dc.subject	AKA Serial Killer
dc.subject	Akutagawa Ryūnosuke
dc.subject	Architecture and emptiness
dc.subject	Auto-orientalismo
dc.subject	Buddhism
dc.subject	Bushi
dc.subject	Calligraphy
dc.subject	Calligraphy-painting
dc.subject	Cinema
dc.subject	Documentary
dc.subject	Edogawa Ranpo
dc.subject	Emptiness
dc.subject	Emptiness
dc.subject	Emptiness
dc.subject	Emptiness
dc.subject	Estetica del vuoto
dc.subject	Etude III
dc.subject	Film genres
dc.subject	Fūkeiron
dc.subject	Governmentality
dc.subject	Greek lullaby Κοιμήσου καί παρήγγειλα
dc.subject	Hagiwara Sakutarō
dc.subject	Hosokawa
dc.subject	Japan aesthetics
dc.subject	Japanese art
dc.subject	Japanese cinema
dc.subject	Japanese cinema
dc.subject	Japanese film music
dc.subject	Japanese ink painting (sumie)
dc.subject	Japanese literature
dc.subject	Japanese modernism
dc.subject	Japanese mouth organ
dc.subject	Japanese music
dc.subject	Lettera alla madre
dc.subject	Lost decades
dc.subject	Ma
dc.subject	Medieval Japan
dc.subject	Mori Mariko
dc.subject	Music composition and childhood memory
dc.subject	Noh music
dc.subject	Noh theater
dc.subject	Oguri Kōhei
dc.subject	Shō
dc.subject	Silence and sound
dc.subject	Soundtrack
dc.subject	Suzuki Daisetsu
dc.subject	Synaesthesia
dc.subject	Tanizaki Jun’ichirō
dc.subject	Toshio Hosokawa
dc.subject	Youth
dc.subject	Zeami Motokiyo
dc.subject	Zen
dc.subject	Zen

Edited book
open access peer reviewed

Vuoti, pieni, suoni, silenzi, presenze, assenze

edited by

Silvia Rivadossi Università Ca’ Foscari Venezia, Italia

Cecilia Franchini Conservatorio di Musica Benedetto Marcello, Venezia

Bonaventura Ruperti Università Ca’ Foscari Venezia, Italia

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abstract

This volume follows the International Festival Japan Contemporary Arts in Venice The Aesthetics of Emptiness, organised between 21 and 24 February 2022 by Benedetto Marcello Music Conservatory in Venice, the Department of Asian and North African Studies of Ca’ Foscari University of Venice, and Venice Academy of Fine Arts (institutions united in the Study in Venice project), with the generous support of the Japan Foundation. During the Festival, musical performances, concerts, workshops, meetings with Japanese artists, and conferences led participants to immerse themselves in Japanese arts and culture. The structure of the volume is designed to allow the reader to relive these experiences, also through multimedia content, and to explore some of the themes that emerged. The first section is dedicated to the events curated by Benedetto Marcello Music Conservatory and Venice Academy of Fine Arts, while the second brings together some of the contributions presented during the conference organised by the Department of Asian and North African Studies. The various essays revolve around the themes of sound, silence, emptiness, fullness, presence, and absence, and are dedicated to the memory of Bonaventura Ruperti.

Published

April 21, 2023

Language

IT, EN

ISBN (PRINT)

978-88-6969-702-9

ISBN (EBOOK)

978-88-6969-701-2

Number of pages

200

Keywords

Japanese cinema • Lettera alla madre • Calligraphy-painting • Tanizaki Jun’ichirō • Soundtrack • Lost decades • Japan aesthetics • Akutagawa Ryūnosuke • Architecture and emptiness • Film genres • Hosokawa • Japanese art • Japanese music • Silence and sound • Adachi Masao • Japanese film music • Medieval Japan • Etude III • Oguri Kōhei • Japanese mouth organ • Auto-orientalismo • Noh music • Youth • Japanese ink painting (sumie) • Ma • Music composition and childhood memory • Buddhism • AKA Serial Killer • Japanese literature • Mori Mariko • Greek lullaby Κοιμήσου καί παρήγγειλα • Estetica del vuoto • Emptiness • Documentary • Noh theater • Toshio Hosokawa • Aesthetics • Edogawa Ranpo • Governmentality • Bushi • Aesthetic of Emptiness • Calligraphy • Suzuki Daisetsu • Synaesthesia • Zen • Japanese modernism • Fūkeiron • Cinema • Shō • Hagiwara Sakutarō • Zeami Motokiyo

permalink http://doi.org/10.30687/978-88-6969-701-2

Copyright: © 2023 Silvia Rivadossi, Cecilia Franchini, Bonaventura Ruperti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.